Duncan Jones’ modest sci-fi head trip draws inspiration for its solid production design from the usual sources, although the director presents his lunar backdrops with a distinctive tilt-shift charm. What the film lacks in a sturdy premise—suggesting a world that’s a few shades too engineered to be plausible—it makes up for with a refreshing lack of the genre’s tendency toward horror, despite a freeze-dried evil-corporation subplot. Moon is a sad, dreamy little diorama about the cost of life amidst lifelessness and the residue of humanity in unexpected places.
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Duncan Jones’ modest sci-fi head trip draws inspiration for its solid production design from the usual sources, although the director presents his lunar backdrops with a distinctive tilt-shift charm. What the film lacks in a sturdy premise—suggesting a world that’s a few shades too engineered to be plausible—it makes up for with a refreshing lack of the genre’s tendency toward horror, despite a freeze-dried evil-corporation subplot. Moon is a sad, dreamy little diorama about the cost of life amidst lifelessness and the residue of humanity in unexpected places.

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