I don’t want big, I want huge. I don’t want surprising, I want stunning. I don’t want fast, I want explosive. I don’t want accidents, I want disasters. I don’t want dirt, I want filth. I don’t want a storm, I want a hurricane. I don’t want hills, I want mountains. I don’t want groups, I want crowds. I don’t want fear, I want panic. I don’t want suspense, I want terror. I don’t want humor, I want hysteria.
Walked out of the movie theater tonight and overheard a puzzled child ask his father a burning question:
“Does The Hulk go to the bathroom when he’s The Hulk or does he wait until he’s back to being a regular person?”
I’ll be up all night pondering this.
Source: patrickmdunn
Remember that episode of Star Trek: The Next Generation where Picard asks Data how old Chelsea Handler is and Data responds with characteristic unnecessary exactitude?
Last year I basically completely disbanded my production company’s development arm. So I’m not interested in developing anything. I’m in the ‘Avatar’ business. Period. That’s it. I’m making ‘Avatar 2,’ ‘Avatar 3,’ maybe ‘Avatar 4,’ and I’m not going to produce other people’s movies for them. I’m not interested in taking scripts. And that all sounds I suppose a little bit restricted, but the point is I think within the ‘Avatar’ landscape I can say everything I need to say that I think needs to be said, in terms of the state of the world and what I think we need to be doing about it.
After hours
Words cast no shadows, voices carry in the dark; eyes are ultraviolet, mouths are infrared.
Every time the Spider-Man mask comes off and Andrew Garfield’s assiduously mussed bedhead springs forth like he’s Elizabeth Taylor in Butterfield 8, I get yanked clean out of the Marvel universe.
Source: trailers.apple.com
I used to think it was noteworthy that, between 1993 and 1995, Sylvester Stallone headlined two enormously expensive action movies set in different dystopian futures—but of course the really footnote-worthy thing is that, between 1993 and 1995, Rob Schneider costarred in two enormously expensive Sylvester Stallone movies set in different dystopian futures.





